Reset The Preferences When You Start Up Photoshop

Reset The Preferences When You Start Up Photoshop

Photoshop may be the world's most popular and powerful image editor, but like most things in life, especially computer-related things, it's not perfect. Sometimes, for no apparent reason, Photoshop can start acting funny on you. One common cause has to do with Photoshop's Preferences. Sometimes, they can get messed up. Fortunately, Adobe makes it easy to reset the preferences if we need to.

If Photoshop is already open on your screen, close out of it. Then hold down Shift+Ctrl+Alt (Win) / Shift+Command+Option (Mac) on your keyboard and start Photoshop back up. The very first thing you'll see is a dialog box that pops up asking if you want to delete the existing Preferences file (which it calls the "Settings" file):

The Reset Photoshop Preferences dialog box. Image © 2008 Photoshop  Essentials.com
Photoshop Tips: Hold down Shift+Ctrl+Alt (Win) / Shift+Command+Option (Mac) when you start up Photoshop to reset the preferences.

To reset Photoshop Preferences to the defaults, click Yes in the dialog box. The existing Preferences file will be scrapped and a brand new one will be created.

Top 10 Killer photoshop combo moves

10. Cloak of Invisibility

Remove everything from the screen except for your file.

  • F, F, F | Cycle through Screen Modes
  • Tab | Remove Tools and Palettes
  • Ctrl+H | Hide Extras (Grid, Guides, Slices, etc.)
  • Ctrl+R | Hide Rulers

9. Quick Brush Jab

Quickly and easily customize a brush. This combo is a staple for digital painting.

  • B | Brush Tool
  • Right-Click and Select or F5 and Select | Open condensed or full Brush Palette
  • or . or , or Shift+. or Shift+, | Cycle through brushes or jump to first or last brush
  • [ or ]: | Shrink or enlarge brush radius
  • Shift+[ or Shift+] | Decrease or increase brush hardness
  • {Numeric Input} | Change brush opacity (e.g. ‘5′ = 50%, ‘55′ = 55%)

8. Quick Brush Jab Path Stroke

Stroke a path with a customized brush.

  • {Draw Path} | Use any tool to draw a path
  • B | Select Brush Tool
  • Quick Brush Jab | Use the Quick Brush Jab Combo to customize brush
  • Enter | Stroke the path with your customized brush

7. Gaussian Attack

Apply a filter, fade it and apply again. Good combo for fine-tweaking filters.

  • {Apply a Filter} | Manually choose and apply a filter (warning: using the Lens Flare filter may result in a swift kick to the mouse balls)
  • Ctrl+Shift+F | Fade the filter
  • (Ctrl+F or Ctrl+Shift+F) | Reapply filter with or without dialog box

6. Shadow Maker

Create a basic shadow based on a chosen layer.

  • {Select Layer} | Select the layer the shadow will be created after. The transparency of this layer needs to resemble the desired shape of the shadow.
  • Ctrl+J | Layer via Copy
  • Ctrl+[ | Move layer down
  • D | Reset color defaults
  • Alt+Shift+Backspace | Fill with black and preserve transparency
  • Ctrl+T | Free transform
  • {Transform} | Modify to your liking
  • Enter | Commit

5. Layer Catcher

Select, group and mask layers. Often easier than using the layers palette.

  • V | Selection Tool
  • Ctrl+Click or Ctrl+Shift+Click or Ctrl+Shift+Right-Click | Select your layers
  • Ctrl+G | Group Layers

4. OCD Layer Sort

Rearrange your layers quickly and easily. Great cure for you neuroticism.

  • F7 | Show Layer Palette
  • Alt+[ or Alt+] or Alt+, or Alt+. | Select a layer
  • Shift+Alt+[ or Shift+Alt+] or Shift+Alt+, or Shift+Alt+. | Select more layers
  • Ctrl+[ or Ctrl+] or Shift+Ctrl+[ or Shift+Control+] | Move layers down or up or send to bottom or bring to top

3. Ultimate Flattener

Merge All Layers (even those hidden). Quick way to flatten a file.

  • Alt+. | Select Top Layer
  • Shift+Alt+, | Select all layers between currently selected and bottom layer
  • Ctrl+E | Merge the selected layers

2. Infinite Dupe

Duplicate and evenly distribute or transform items. Nice way to distribute something like nav buttons.

  • Ctrl+T | Transform
  • {Transform/Move} | Manually Move or Transform
  • Enter | Commit Transform
  • (Ctrl+Alt+Shift+T) | Duplicate and transform relative to the newest item

1. Finishing Move – The Web Extractor

Extract a selection and save it for the web. Extremely useful when pulling individual elements from a design, such as buttons or rules.

  • {Create Selection} | Select the area you want to extract
  • Ctrl+Shift+C | Copy Merged to clipboard
  • Ctrl+N | Create New Image based on selection size
  • Enter | Confirm New Image
  • Ctrl+V | Paste from clipboard
  • Ctrl+Alt+Shift+S | Save for the Web

Photoshop Quick Tips #3 - Enhancing Photos with High Pass Filter

Step 1

Open a regular photo in Photoshop. I used a photo of a cat that I found on sxc.hu http://www.sxc.hu/photo/1069561

Step 2

Duplicate the layer and go to Filter>Other>High Pass. Use 5 pixels. Then change the Blend Mode of the layer to Hard Light.

Photoshop Quick Tips #3 - Enhancing Photos with High Pass Filter

Step 3

Duplicate the High Pass layer. Keep the blend mode with Hard LIght.

Photoshop Quick Tips #3 - Enhancing Photos with High Pass Filter

Step 4

Duplicate the original photo and change its Blend Mode to Screen. Then with the Eraser Tool (E) or with a Mask. Delete the dark areas of the photo. Leave just the light areas, the eyes, nose, and mouth. Below you can see the areas I kept, the marquee selection.

Photoshop Quick Tips #3 - Enhancing Photos with High Pass Filter

Step 5

Group all layers and convert them to Smart Objects, Layers>Smart Objects>Convert to Smart Objects. Or if you prefer just merge the layers. Then go to Image >Adjustments>Shadow and Highlights. Use the values from the image below. With this adjustment you can edit how the shadows and highlights will be displayed, and you can simulate the HDR effect by increasing the Tonal Width and Radius on the Shadow and Highlights, and, also the Midtone Contrast.

Conclusion

This is just one way to enhance your photos, you can use the Unsharp Mask filter as well. But I prefer the high pass with hard light, I think it gives a better result, however that will depend the photo you are working on. The most important thing is test and play with the settings and of course add more techniques to your repertoire. If you have a different quick tip, leave a comment sharing and explaining it to us ;).

Photoshop Quick Tips #3 - Enhancing Photos with High Pass Filter

Step 1

Open a regular photo in Photoshop. I used a photo of a cat that I found on sxc.hu http://www.sxc.hu/photo/1069561

Step 2

Duplicate the layer and go to Filter>Other>High Pass. Use 5 pixels. Then change the Blend Mode of the layer to Hard Light.

Photoshop Quick Tips #3 - Enhancing Photos with High Pass Filter

Step 3

Duplicate the High Pass layer. Keep the blend mode with Hard LIght.

Photoshop Quick Tips #3 - Enhancing Photos with High Pass Filter

Step 4

Duplicate the original photo and change its Blend Mode to Screen. Then with the Eraser Tool (E) or with a Mask. Delete the dark areas of the photo. Leave just the light areas, the eyes, nose, and mouth. Below you can see the areas I kept, the marquee selection.

Photoshop Quick Tips #3 - Enhancing Photos with High Pass Filter

Step 5

Group all layers and convert them to Smart Objects, Layers>Smart Objects>Convert to Smart Objects. Or if you prefer just merge the layers. Then go to Image >Adjustments>Shadow and Highlights. Use the values from the image below. With this adjustment you can edit how the shadows and highlights will be displayed, and you can simulate the HDR effect by increasing the Tonal Width and Radius on the Shadow and Highlights, and, also the Midtone Contrast.

Conclusion

This is just one way to enhance your photos, you can use the Unsharp Mask filter as well. But I prefer the high pass with hard light, I think it gives a better result, however that will depend the photo you are working on. The most important thing is test and play with the settings and of course add more techniques to your repertoire. If you have a different quick tip, leave a comment sharing and explaining it to us ;).

Photoshop Quick Tips #3 - Enhancing Photos with High Pass Filter

Magic Extractor - Change Background in Photoshop

This tutorial is an advanced guide covering how to use the Magic Extractor to change background in Photoshop. The Magic Extractor is an incredible useful tool, and something that can be used for many art projects.


To open up the Magic Extractor, go to Image> Magic Extractor.


First of all, let me explain the uses of the various tools in the Magic Extractor. I've composed a list and made a diagram to make it as clear for you as possible. Click on any the images in this post to see a larger version.


Diagram of main tools in Photoshop's Magic Extractor
Remove Image Backgrounds Photoshop
Magic Extractor Tools Quick Reference List
  • Foreground Brush - Paint or scribble over what you want to keep.
  • Background Brush - Paint or scribble over what you want to get rid of.
  • Point Eraser Tool - Correct any mistakes you made with the Fore/Background Brushes.
  • Remove From Selection Tool - Remove parts of the image, leaving transparency.
  • Add to Selection Tool - Restore any parts of the image deleted by the Remove from Selection Tool
  • Feather Selection Tool - Soften the edges of your selection by any radius you wish.
Magic Extractor Tools and How to Use Them- An Advanced Explanation

Foreground and Background Brushes


These are the main and most important tools in the Magic Extractor. Using them is very simple. You use the foreground brush to paint on the part of the picture that you want to keep; i.e. whatever IS NOT background, and the background to paint on the part you don't want to keep; whatever IS in the background. The more you paint with the foreground and background brushes, the more accurate the background removal will be. Draw over all and inside the edges and inside the edges of the background and foreground with their respective brushes. Pay lots of attention to details and small objects that you want to keep as part of your final image. If your background has many objects and colors in it, made sure that you've used the background brush to paint over all of it, or you can use the Remove from Selection Tool as a more exact alternative. See instructions below.

Examples or correct and incorrect ways of using these tools

Wrong
Remove Image Backgrounds PhotoshopRightRemove Image Backgrounds PhotoshopPoint Eraser Tool
If you make any mistakes in the Magic Extractor, you can either use the "Ctrl+ Z" button combination for the "Undo command" or use the Point Eraser Tool to get rid of any stray brush marks you've made. This eraser tool is just like the regular eraser tool in Photoshop, except that it will only erase the brush marks you've made in the Magic Extractor; not any of the image itself.

Remove from Selection and Add to Selection Tools

I don't use these tools very much, but when trying to remove an especially complicated background, they can be very useful. This tool is very exact, and has the same effect of the Eraser tool in Photoshop's User Interface. Using the Remove from selection tool will erase any part of the image that you want, leaving you with transparency. If you make any mistakes, the Add to Selection Tool can be used to bring any part of the image back. I've always found it best to first use the foreground and background brushes, then use these tools to erase any background that might have been left behind. This is an example of the image after I have used the Remove from Selection Tool to remove some of the background, and then restore parts of it with the Add to Selection Tool.

Like in the rest of the Photoshop Program, you can choose to feather, or soften, your selection using this tool. Whether you want to use this and what radius you'd like to use depends entirely on the picture that you are editing and the effect you want to create. I usually feather my selection by a 1-2 pixel radius, depending on the size and quality of the image.
Well, that's about all you need to know about how to remove or change the background of an image in Photoshop. I hope you enjoyed this tutorial and that you've found it useful. Happy Photoshopping!

Photoshop Tips & Tricks — Variety Pack Volume 1

Here is a collection of useful tips and tricks to improve your Photoshop skills.

Ten Golden Tricks

1. Hitting Tab hides all of your palettes. Hitting Tab again brings them back.
2. Shift+Tab hides all the pallets except your toolbar.
3. Hitting the "D" key resets your color pallets to Black foreground, White Background.
4. The "X" key will toggle your foreground and background colors.
5. Use CMD+Delete to fill your layer or selection with the current background color.
6. Option+Delete fills your layer or selection with the foreground color.
7. Change your paintbrush circle into a crosshair for precise control by pressing the Caps Lock key.
8. Double-Click the ruler on the top or side of your document brings up the Units & Ruler Dialogue box. (handy if you work in both print and web)
9. To quickly change the blend mode of a layer Shift+Option+(letter corresponding to mode) ie: Shift+Option+M is Multiply. Shift+Option+V is Vivid Light.
10. Using Shift+ the "+" or "-" will toggle through the various blend modes one at a time.

Speed Up File Browser
Adobe Photoshop tutorialIf you feel your File Browser is too slow in generating previews, you might want to try this setting.

Select Allow Background Processing in Photoshop /Preferences /File Browser to use extra processing power to pre-generate cache information like previews and metadata.

This setting will allow Photoshop to work on thumbnails for your files, while you're busy doing something else.


Help Menu Export?
Ok, I have no idea what was going through Adobe's head when they put an export option in the help menu. Yes you read that correctly. There is an export command in the help menu. I fiddled around with is for a little bit and discovered something interesting about this hidden option.

Adobe Photoshop tutorialThis is something that I think can be either a time waster or a time saver depending on your experience level and your personal work flow. For those that do not understand or avoid the pen tool for creating clipping paths, this can be a real time saver. If in the past you ever needed to make a clipping path from a selection it took a series of steps to get from the selection process to the final saved EPS. Well Adobe included a "Export Transparency" option. It's in the help menu and not in the file menu for some odd reason.

When you export your transparency, it will automatically include your clipping path and save your file as an EPS. You do have to follow a few on screen prompts so that the wizard knows what you are using the file for, (i.e. web or print).

I don't think this will be a replacement tool for many of us, however just knowing the option is there can be a big help from time to time.


Copying Path From Illustrator To Photoshop
Adobe Photoshop tutorialBy default when you copy a path from Illustrator to Photoshop it gets rasterized.

If you want to paste the path into Photoshop as a working path, you need to open Illustrator /Preferences /Files and Clipboard... and set the Clipboard to Copy As: AICB /Preserve Paths.

Next time you copy a path from Illustrator to Photoshop you will be given an option in Photoshop if you want your clipboard content as Pixels, Path or Shape layer.


Selecting The Right Layer
Adobe Photoshop tutorialMany times Photoshop files can get to many layers. This can be almost impossible to manage if you work only within the layers palette. First off, let me say that I am a big advocate of naming layers. Not only it is more descriptive than Layer 1 or Layer 2, itt gives other designers the ability to sort through your mess and hopefully call you a few less dirty names. With that said, using this next tip can greatly improve your speed when selecting layers.

Select the move tool (V) and hover over the area you want to select. CTRL-Click and a contextual menu will come up with a list of all the layers directly below your mouse. Simply select the appropriate layer and move on. As you can see naming your layers as you go greatly improves your ability to get through a project with as little headache as possible.


Adobe Photoshop tutorialExpanding And Reducing Selections
Have you ever made a selection like a square and tried to use the Select /Modify /Expand method to enlarge the selection? If you have, you noticed that you did not get a square at all. It will clip the corners off your selection.

If you want to get accurate results you will need to jump to quick mask mode by clicking the quick mask icon in the tool bar or by pressing the letter "Q". Once in the quick mask mode you will need to use Filter /Other /Maximum or Minimum. If your selected area is red use Minimum, otherwise use Maximum. Use the slider to adjust the amount of expansion. In my example I drew a rectangle marquee, and to enlarge it, I used the Maximum filter.

[tutorial and images © Ivan Raszl of CreativeBits]

6 Photoshop Tips and Tricks That You Probably Don’t Know About

photoshop-tips-and-tricks

Here are 6 Adobe Photoshop tips and tricks that you probably don’t know about (I bet you don’t know at least one). This post comes after hearing the reactions from some of my fellow students in class when they found out about some of the options available that they never knew about.

NB: This post is for Photoshop beginners.

1. Refining a selection

After you make a selection in Photoshop you can easily edit the selection using refine edge in the top toolbar. You must try this out, it is very useful!

Photoshop Tips 4

2. Hidden Options Behind Arrows

I am amazed by how many people do not know about these tiny little arrows that hold so many more options! These tiny arrows are pretty much on every tool bar across the whole Adobe Suite. I assure these arrows will open you up to a whole new world.

Photoshop Tips

3. Blending Options

If you right click on a layer in the layers toolbar, and then click blending options this will bring you to a whole vast array of effects that will keep you busy for hours. Use these options very sparingly.

Photoshop Tips 2

4. Resist The Urge to use the filter gallery, especially the lens flare.

Not so much of a ‘tip’ but more ‘helpful advice’… but yes you heard me, do not use the filter gallery (unless you know how to well or for a effect that you need). Design is not filter effects and it never will be. Also please resist adding lens flare to your work, as well as rainbow gradients, embossed type and drop shadow unless you know how to use it well. You may want to check out 15 Signs Your a Bad Graphic Designer. NB. Rules can be broken.

Photoshop Tips 3

5. Layer Blending Modes

Once you master the blending modes in Photoshop you can pretty much ‘own’ photoshop. Open up the layers palette, select a layer and click the downwards arrow where it says Normal. Try experimenting with different blending modes on different layers, put layers above or below other layers, change the opacity and so fourth and you will be amazed!

Photoshop Tips 5

6. The best tip of all…

Practice. You can do this by doing tutorials or watching videos or experimenting on your own. Practice, practice, practice!

In my own personal experience I have found that if I find a design piece or style that I really like, I search the net and magazines for tutorials on how to recreate that effect and try to adapt it to my own personal project and style… I find this a great way to learn. Also if you ever need help, check out Adobes Help function in the programs and also write questions on forums (or blogs)… people will be more than happy to help you out!

http://justcreativedesign.com

9 Essential Principles for Good Web Design

1. Precedence (Guiding the Eye)

Good Web design, perhaps even more than other type of design, is about information. One of the biggest tools in your arsenal to do this is precedence. When navigating a good design, the user should be led around the screen by the designer. I call this precedence, and it's about how much visual weight different parts of your design have.

A simple example of precedence is that in most sites, the first thing you see is the logo. This is often because it’s large and set at what has been shown in studies to be the first place people look (the top left). his is a good thing since you probably want a user to immediately know what site they are viewing.

But precedence should go much further. You should direct the user’s eyes through a sequence of steps. For example, you might want your user to go from logo/brand to a primary positioning statement, next to a punchy image (to give the site personality), then to the main body text, with navigation and a sidebar taking a secondary position in the sequence.

What your user should be looking at is up to you, the Web designer, to figure out.

To achieve precedence you have many tools at your disposal:

  • Position — Where something is on a page clearly influences in what order the user sees it.
  • Color — Using bold and subtle colors is a simple way to tell your user where to look.
  • Contrast — Being different makes things stand out, while being the same makes them secondary.
  • Size — Big takes precedence over little (unless everything is big, in which case little might stand out thanks to Contrast)
  • Design Elements — if there is a gigantic arrow pointing at something, guess where the user will look?

Further Reading:

You can read more of my thoughts on Precedence in an old PSDTUTS post called Elements of Great Web Design - the polish. Joshua David McClurg-Genevese discusses principles of good web design and design at Digital-Web. Joshua also has the longest name ever :-)



Marius has a very clean, very simple site with plenty of space

2. Spacing

When I first started designing I wanted to fill every available space up with stuff. Empty space seemed wasteful. In fact the opposite is true.

Spacing makes things clearer. In Web design there are three aspects of space that you should be considering:

  • Line Spacing

    When you lay text out, the space between the lines directly affects how readable it appears. Too little space makes it easy for your eye to spill over from one line to the next, too much space means that when you finish one line of text and go to the next your eye can get lost. So you need to find a happy medium. You can control line spacing in CSS with the 'line-height' selector. Generally I find the default value is usually too little spacing. Line Spacing is technically called leading (pronounced ledding), which derives from the process that printers used to use to separate lines of text in ye olde days — by placing bars of lead between the lines.

  • Padding

    Generally speaking text should never touch other elements. Images, for example, should not be touching text, neither should borders or tables. Padding is the space between elements and text. The simple rule here is that you should always have space there. There are exceptions of course, in particular if the text is some sort of heading/graphic or your name is David Carson :-) But as a general rule, putting space between text and the rest of the world makes it infinitely more readable and pleasant.
  • White Space

    First of all, white space doesn't need to be white. The term simply refers to empty space on a page (or negative space as it's sometimes called). White space is used to give balance, proportion and contrast to a page. A lot of white space tends to make things seem more elegant and upmarket, so for example if you go to an expensive architect site, you'll almost always see a lot of space. If you want to learn to use whitespace effectively, go through a magazine and look at how adverts are laid out. Ads for big brands of watches and cars and the like tend to have a lot of empty space used as an element of design.

Further Reading:

At WebDesignFromScratch there is a great article called the Web 2.0 how-to design guide, which discusses Simplicity - a concept that makes a lot of use of spacing. There's plenty of other useful stuff there too!



Noodlebox does a good job of using on/off states in their navigation to keep the user oriented.

3. Navigation

One of the most frustrating experiences you can have on a Web site is being unable to figure out where to go or where you are. I'd like to think that for most Web designers, navigation is a concept we've managed to master, but I still find some pretty bad examples out there. There are two aspects of navigation to keep in mind:

Navigation — Where can you go?

There are a few commonsense rules to remember here. Buttons to travel around a site should be easy to find - towards the top of the page and easy to identify. They should look like navigation buttons and be well described. The text of a button should be pretty clear as to where it's taking you. Aside from the common sense, it's also important to make navigation usable. For example, if you have a rollover sub-menu, ensuring a person can get to the sub-menu items without losing the rollover is important. Similarly changing the color or image on rollover is excellent feedback for a user.

Orientation — Where are you now?

There are lots of ways you can orient a user so there is no excuse not to. In small sites, it might be just a matter of a big heading or a 'down' version of the appropriate button in your menu. In a larger site, you might make use of bread crumb trails, sub-headings and a site map for the truly lost.

Further Reading:

SmashingMagazine has a selection of CSS-based navigation styles which are nice to go through, and #3 is one of mine! A List Apart also has a good article about orientation called Where Am I?

4. Design to Build

Life has gotten a lot easier since Web designers transitioned to CSS layouts, but even now it's still important to think about how you are going to build a site when you're still in Photoshop. Consider things like:

  • Can it actually be done?

    You might have picked an amazing font for your body copy, but is it actually a standard HTML font? You might have a design that looks beautiful but is 1100px wide and will result in a horizontal scroller for the majority of users. It's important to know what can and can't be done, which is why I believe all Web designers should also build sites, at least sometimes.
  • What happens when a screen is resizes?

    Do you need repeating backgrounds? How will they work? Is the design centered or left-aligned?

  • Are you doing anything that is technically difficult?

    Even with CSS positioning, some things like vertical alignment are still a bit painful and sometimes best avoided.
  • Could small changes in your design greatly simplify how you build it?

    Sometimes moving an object around in a design can make a big difference in how you have to code your CSS later. In particular, when elements of a design cross over each other, it adds a little complexity to the build. So if your design has, say three elements and each element is completely separate from each other, it would be really easy to build. On the other hand if all three overlap each other, it might still be easy, but will probably be a bit more complicated. You should find a balance between what looks good and small changes that can simplify your build.
  • For large sites, particularly, can you simplify things?

    There was a time when I used to make image buttons for my sites. So if there was a download button, for example, I would make a little download image. In the last year or so, I've switched to using CSS to make my buttons and have never looked back. Sure, it means my buttons don't always have the flexibility I might wish for, but the savings in build time from not having to make dozens of little button images are huge.


If anyone knows good type it's iLoveTypography!

5. Typography

Text is the most common element of design, so it's not surprising that a lot of thought has gone into it. It's important to consider things like:

  • Font Choices — Different types of fonts say different things about a design. Some look modern, some look retro. Make sure you are using the right tool for the job.
  • Font sizes —Years ago it was trendy to have really small text. Happily, these days people have started to realize that text is meant to be read, not just looked at. Make sure your text sizes are consistent, large enough to be read, and proportioned so that headings and sub-headings stand out appropriately.
  • Spacing — As discussed above, spacing between lines and away from other objects is important to consider. You should also be thinking about spacing between letters, though on the Web this is of less importance, as you don't have that much control.
  • Line Length — There is no hard and fast rule, but generally your lines of text shouldn't be too long. The longer they are, the harder they are to read. Small columns of text work much better (think about how a newspaper lays out text).
  • Color — One of my worst habits is making low-contrast text. It looks good but doesn't read so well, unfortunately. Still, I seem to do it with every Web site design I've ever made, tsk tsk tsk.
  • Paragraphing — Before I started designing, I loved to justify the text in everything. It made for nice edges on either side of my paragraphs. Unfortunately, justified text tends to create weird gaps between words where they have been auto-spaced. This isn't nice for your eye when reading, so stick to left-aligned unless you happen to have a magic body of text that happens to space out perfectly.
  • Further Reading:

    Nick La at WebDesignerWall has a great article about online typography called Typographic Contrast and Flow .



    Happycog know usability inside out, and their own site is simple and easy to use.

    6. Usability

    Web design ain't just about pretty pictures. With so much information and interaction to be effected on a Web site, it's important that you, the designer, provide for it all. That means making your Web site design usable.

    We've already discussed some aspects of usability - navigation, precedence, and text. Here are three more important ones:

  • Adhering to Standards

    There are certain things people expect, and not giving them causes confusion. For example, if text has an underline, you expect it to be a link. Doing otherwise is not good usability practice. Sure, you can break some conventions, but most of your Web site should do exactly what people expect it to do!
  • Think about what users will actually do

    Prototyping is a common tool used in design to actually 'try' out a design. This is done because often when you actually use a design, you notice little things that make a big difference. ALA had an article a while back called Never Use a Warning When You Mean Undo, which is an excellent example of a small interface design decision that can make life suck for a user.
  • Think about user tasks

    When a user comes to your site what are they actually trying to do? List out the different types of tasks people might do on a site, how they will achieve them, and how easy you want to make it for them. This might mean having really common tasks on your homepage (e.g. 'start shopping', 'learn about what we do,' etc.) or it might mean ensuring something like having a search box always easily accessible. At the end of the day, your Web design is a tool for people to use, and people don't like using annoying tools!

Further Reading:

AListApart has lots of articles on web usability.



Electric pulp manages to look rough, but if you look closely you realize there is a firm grid and things actually all line up.

7. Alignment

Keeping things lined up is as important in Web design as it is in print design. That's not to say that everything should be in a straight line, but rather that you should go through and try to keep things consistently placed on a page. Aligning makes your design more ordered and digestible, as well as making it seem more polished.

You may also wish to base your designs on a specific grid. I must admit I don't do this consciously - though obviously a site like PSDTUTS does in fact have a very firm grid structure. This year I've seen a few really good articles on grid design including SmashingMagazine's Designing with Grid-Based Approach & A List Apart's Thinking Outside The Grid. In fact, if you're interested in grid design, you should definitely pay a visit to the aptly named DesignByGrid.com home to all things griddy.



The ExpressionEngine site is the soul of clarity. Everything is sharp and clean.

8. Clarity (Sharpness)

Keeping your design crisp and sharp is super important in Web design. And when it comes to clarity, it's all about the pixels.

In your CSS, everything will be pixel perfect so there's nothing to worry about, but in Photoshop it is not so. To achieve a sharp design you have to:

  • Keep shape edges snapped to pixels. This might involve manually cleaning up shapes, lines, and boxes if you're creating them in Photoshop.
  • Make sure any text is created using the appropriate anti-aliasing setting. I use 'Sharp' a lot.
  • Ensuring that contrast is high so that borders are clearly defined.
  • Over-emphasizing borders just slightly to exaggerate the contrast.

Further Reading:

I wrote a bit more about clarity in Elements of Great Web Design - the polish. I've noticed that print designers transitioning to Web design, in particular, don't think in pixels, but it really is vital.



Veerle does a great job of keeping even the tiniest details consistent across the board.

9. Consistency

Consistency means making everything match. Heading sizes, font choices, coloring, button styles, spacing, design elements, illustration styles, photo choices, etc. Everything should be themed to make your design coherent between pages and on the same page.

Keeping your design consistent is about being professional. Inconsistencies in a design are like spelling mistakes in an essay. They just lower the perception of quality. Whatever your design looks like, keeping it consistent will always bring it up a notch. Even if it's a bad design, at least make it a consistent, bad design.

The simplest way to maintain consistency is to make early decisions and stick to them. With a really large site, however, things can change in the design process. When I designed FlashDen, for example, the process took months, and by the end some of my ideas for buttons and images had changed, so I had to go back and revise earlier pages to match later ones exactly.

Having a good set of CSS stylesheets can also go a long way to making a consistent design. Try to define core tags like

and

in such a way as to make your defaults match properly and avoid having to remember specific class names all the time.

Further Reading:

The ThinkVitamin article How CRAP is your design? discusses Repetition going down the page and how important it is. The article is written by Mike Rundle who designs 9rules, so you know it's worth reading!

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